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# The Dogwood + 7 poems by Elise Powers
- URL: https://www.journal.ninthheaven.co/literature/poem-the-dogwood-7-poems-by-elise-powers/
- Published: 2025-11-07T21:00:12.000Z
- Updated: 2026-07-13T15:26:18.000Z
- Description: 8 poems, each exploring the intersections of memory, tenderness, and the sacred ordinary.
- Author: Elise Powers
- Tags: Literature & Poetry, Poetry, Issue II - Blue Spring

## The Dogwood

It’s early June and every morning  
the dogwood,  
a cumulus of fluffy white flowers  
outside my bedroom window,  
fools me into thinking it has snowed.  
Funny, how the mind’s branches  
bend toward what it knows—  
sees piles of white and thinks winter,  
hears silence and thinks absence.  
How happiness,  
if it arrives too gently—  
weightless as a hummingbird  
perched on the spire of the world—  
can feel like a sleight of heart.

## Stones Beneath the Sand

While walking the beach,  
I heard an old man say to his friend,  
I mean, I’m still grieving over  
my high school sweetheart.  
It wasn’t a confession,  
but a fact—clear as the waves  
are restless, breaking like breath.  
His friend didn’t answer right away,  
simply nodded, like of course,  
of course some things stay  
and settle deep,  
stones beneath the sand  
that shape the shore.  
Meanwhile, the ocean folds itself  
over like an endless blanket,  
clearing the strand,  
then bringing it all back.

## The Lilacs Are in Bloom

and once again I am reminded  
how every perfect thing—  
the tiny, four-petaled florets,  
watercolored together in dribbling  
lavender plumes; the sweet, milky  
scent of my daughter’s newborn  
breath, the robin’s-egg weight  
of her so impossibly light on my chest;  
the flutter of inspiration, breathtaking  
as a butterfly migration, passing  
through only when you’re lucky  
enough to find yourself in its path—  
is perfect not in spite of its brevity  
but because of it,  
because it urges us to pay attention,  
to hold it with two trembling hands,  
to feel the beauty and the loss  
all at once.

## Even Here

I watch from the corner chair  
as you kiss your grandma’s forehead,  
your thumb stroking her hairline  
with a tenderness that stings my eyes;  
watch as you remind her of all the times  
she played catch with you in the Seattle rain,  
how much those wet afternoons meant,  
how you’ll do the same with your kids;  
watch as you press your cheek to hers,  
whispering I love yous and thank yous;  
watch the way your eyelashes flicker  
like candlewicks in a gentle wind  
when you don’t know what to say,  
when you study her face each time  
she closes her eyes; and I understand,  
seeing love laid bare like this, spread across  
the room like all those Christmas dinners  
crammed into her basement—  
folding tables end to end,  
mismatched tablecloths from years past—  
that sorrow this full is only possible  
because love made a home there first,  
passed from hand to hand like a warm plate.  
How even here, it keeps feeding us.

## I Am Eating a Handful of Figs

and I think about how I can’t eat a fig  
without also eating a fig wasp.  
I pinch each swollen bell in two,  
autopsy the punch-berry guts  
for wings or antennae  
or a black and amber ghost.  
I do this—live my life like I might  
bite into a stinger.  
Better safe than sorry,  
I hear myself saying.  
But the thing about figs  
is they aren’t meant  
to be eaten cautiously—  
so worried about the potential yuck  
you never taste the sweetness.  
This, too, is how I’ve approached  
so many of life’s sweetnesses:  
splitting them open to inspect for loss  
before letting the juice touch my tongue.  
It’s not that I want to be afraid—  
only that I’ve spent so long  
bracing for sorrow  
I’ve forgotten how to recognize joy.  
Still, I want to trust the fruit.  
I want to eat the whole fig,  
wasp and all.

## Humans Are the Only Species Known to Blush

Despite the great lengths we pace  
to appear calm and composed,  
our thin skins of need betray us  
in tenderness,  
as if the plague of apathy  
never reached the blood,  
as if the mutinous emotions  
simmering beneath the surface  
can’t help but revolt against  
the guarding of the heart,  
a flare of vulnerability  
shot straight through the shell  
like a warning  
or a prayer—  
a rose flush of I’m still here,  
a chest rush of I care, I care.

## A Broken Rule

I learned that people were never meant to see their own faces  
and now every mirror feels like a broken rule,  
a door swung open to a room I was never supposed to enter.  
The thing is, a swallow does not glimpse herself  
mid-flight and spend the rest of the day smoothing her feathers  
or questioning the grace of her swoop,  
and I was never meant to witness  
the curve of dark brown pores that frame my aquiline nose,  
or the precise way my mouth folds around a name.  
What good does it do me to see that my features  
are not perfectly symmetrical? I have memorized myself  
too well, learned my face more intimately  
than my mother’s, my sister’s, my lover’s,  
when I was only supposed to see my own eyes  
reflected back through shining pond water—  
existing in motion, in laughter, in breath,  
then vanishing from myself the moment  
a fish breaks the surface, swallowing  
my vanity whole before I drown in it.

## Orogenesis

I forgot  
to buy paper  
plates, so dishes  
pile in the sink, one  
on top of another on  
top of another, sliding  
and colliding, a convergence  
of all our busy lives. The night  
grows longer and the mountain taller,  
evidence that we are too together to worry about  
the mess, just as we should be, if only for a few hours.

---

*Elise Powers received a BA in English Literature from Western Washington University. Her poems reflect on identity, womanhood, and the ordinary moments that make up a life. Her work has appeared in literary magazines and anthologies including Gather and Only Poems, and has been shortlisted for the Central Avenue Poetry Prize, awarded second place in the Black Horse Review Poetry Contest, and nominated for the Best of the Net Anthology. Her debut poetry collection, The Size of Your Joy, is forthcoming from Central Avenue Publishing in spring 2026\. She lives in Seattle with her husband and daughter, where she writes, collects sea glass, and savors life’s tender joys. Find more of her work on Instagram @elisepowerspoet and on Substack at Two Raw Sugars.*